In the ‘90s, supergroup Texas Tornados formed as a fusion of Tejano, rock and country music and opened the decade with a Grammy win for Best Mexican/American Performance. Beginning in the 1980s to the present day, the local music stalwarts Joe Ely, Butch Hancock and Jimmie Dale Gilmore, made a name making rock-influenced country music. Today, you can find a statue of Nelson located outside of the current studio and theatre of Austin City Limits on Willie Nelson Boulevard.Įven in the last few decades, Austin has continued to produce some of the biggest stars in country music. The show’s theme song for the first quarter of a century was “London Homesick Blues” by local musician Gary P.
Having been the inaugural guest of the program’s pilot episode, Nelson was instrumental in creating the cosmic cowboy culture of Austin and showcasing it to the world. In 1976, Nelson was present during the infancy of what is now the world’s longest running music program on TV, Austin City Limits. The genre eventually developed into “progressive country rock” which to this day is one of the central sub-genres of modern-day Americana music. Bojangles”), Marcia Ball, Ray Wiley Hubbard, Asleep at the Wheel, and Michael Martin Murphy were all a part of the forming resistance against slick Nashville-centric country music and formed a new chapter of the genre, a crossover of country and rock music. During the ‘70s, a great migration made its way to Austin bringing with it stars from Nashville like outlaw country patriarch Willie Nelson who played at “the ‘Dillo” to a mixed audience of liberal college students and country fans otherwise referred to as “hippies and rednecks.” In addition to Nelson, a long list of musicians who happened to find themselves in the soon-to-be Live Music Capital such as Jerry Jeff Walker(who wrote the hit song “Mr. Located on South Lamar, the Spoke was where country legends like George Strait and his Ace in the Hole band cut their teeth, along with other greats that frequented Austin such as Waylon Jennings, Kris Kristopherson, and pioneering female country singer Kitty Wells.Įddie Wilson founded the revered Armadillo World Headquarters in 1970 and later bought the famous Threadgill’s, the venue which famously helped launch Janis Joplin’s career. In addition to the Skyline, one of Austin’s most monumental music venues in its history is the still-standing Broken Spoke, Austin’s oldest honkytonk founded by James and Annetta White. While these fateful instances happened nearly a decade apart, it marked the historical significance of the Skyline Club which had opened in the 1940s and remained a hotspot for bands of all genres until the late ‘80s.
Both are regarded as some of the most influential country artists of the century, and both men, while married to the same aspiring singer Billie Jean Jones, each played their last shows before their deaths at the same venue, Austin’s own Skyline Club.
One strange but true story is of country music superstar Hank Williams and rockabilly honky tonker Johnny Horton.
Because of Austin’s country music figureheads’ inarguable importance in the history of country music, the city has cemented its place in Americana history.
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